We learned about performative literature when we were reading Running in the Family, by Michael Ondaatje, and I think that word applies to Dave Eggers' autobiography as well. I also think that Eggers capture singular moments extremely well in his autobiography as well. There are moments that seem like snapshots, especially those that describe his father's final fall on the front lawn. He includes them over the first 30 pages of the book, describing the moment in perfect detail and dictating exactly how his sister felt when she was observing the moment.
"At the end of the driveway my father knelt. Beth watched and it was kind of pretty for a second, him just kneeling there in the gray winter window. Then she knew. He had been falling. In the kitchen, the shower. She ran and flung open the door, threw the screen wide and ran to him."
(Page 29).
The description above is the final portrait provided regarding that particular moment in Dave Eggers' life. I think the moment is so drawn out, because it is so monumental in Dave's life. The snapshots seem to read like one of the those cartoon books that move if you flip them really fast, similar to Jonathan Saffron Foer's flipbook in Extremely Loud and Incredibly Close. The moment could also be read in slow motion. It is set apart from Eggers' fast-paced stream of consciousness writing. Dave Eggers knew his mother would pass away. It was only a matter of time. He did not expect his father's downfall and death to be so sudden. That is why the moment had been so monumental in his memory. Without both parents, Eggers had a harder time accepting his situation. He was no longer a brother, but a parent, and a guardian.
The momeny is also quite performative in nature, as are many of Eggers' daydreams and exaggerated scenarios in the text. Eggers provides numerous visual moments in the text, and his readers are able to picture exactly what is going on. He does not skip a beat. Not to mention the fact that Eggers provides some conversations that appear as lists in the text. There is no indication of who is saying what, but yet, you just know. The reader just knows. These conversations read as scripts, and once you know which "character" is speaking, you exaclty how the line would be delivered.
"At the end of the driveway my father knelt. Beth watched and it was kind of pretty for a second, him just kneeling there in the gray winter window. Then she knew. He had been falling. In the kitchen, the shower. She ran and flung open the door, threw the screen wide and ran to him."
(Page 29).
The description above is the final portrait provided regarding that particular moment in Dave Eggers' life. I think the moment is so drawn out, because it is so monumental in Dave's life. The snapshots seem to read like one of the those cartoon books that move if you flip them really fast, similar to Jonathan Saffron Foer's flipbook in Extremely Loud and Incredibly Close. The moment could also be read in slow motion. It is set apart from Eggers' fast-paced stream of consciousness writing. Dave Eggers knew his mother would pass away. It was only a matter of time. He did not expect his father's downfall and death to be so sudden. That is why the moment had been so monumental in his memory. Without both parents, Eggers had a harder time accepting his situation. He was no longer a brother, but a parent, and a guardian.
The momeny is also quite performative in nature, as are many of Eggers' daydreams and exaggerated scenarios in the text. Eggers provides numerous visual moments in the text, and his readers are able to picture exactly what is going on. He does not skip a beat. Not to mention the fact that Eggers provides some conversations that appear as lists in the text. There is no indication of who is saying what, but yet, you just know. The reader just knows. These conversations read as scripts, and once you know which "character" is speaking, you exaclty how the line would be delivered.

1 comment:
yes. i think you are entirely right about the performative text. he interrogates himself and makes it performance. aps
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