Friday, October 17, 2008
Posting! A response to a writing promt.
I guess I rarely create active dialogue in my head... but I think I make observations a lot, like "that was dumb" or "what the hell am I doing?" I think I swear in my head a lot, too.
When I was little I used to constantly narrate in my head. When I was actively tinking of something I didn't becuase I couldn'tdo both at once, but whenever I was doing something mindless I would narrate. Itold the sory of my life as it happend. I'd narrate getting dressed in the morning. I'd narrate brushing my teeth. I'd narrate eating breakfast. Sometimes I wonder now how I ever managed to sqeeze in a meangful thought. Perhaps I didn't.
Today, I don't talk to myself much at all. I've never done it outloud, but I guess now I always have a running stream of real thought at all times. In fact, there are many times when I wish I could shut it up.
Thursday, October 16, 2008
a prompt thought and a thoughtful prompt
and
"It is certainly not then - not in dreams - but when one is wide awake, at moments of robust joy and achievement , on the highest terrace of consciousness, that mortality has a chance to peer beyond its own limits, from the mast, from the past and its castle tower. And although nothing much can be seen through the mist, there is somehow the blissful feeling that one is looking in the right direction." (page 50)
after our conversation in class on tuesday, i began thinking that perhaps the secure sensation we feel, of looking in the right direction despite the unclear view from our castle tower, might be a type of self-assurance, spoken subconsciously through that seemingly anonymous voice who mumbles to us just before we fall into a state of sleep. <---- is this a periodic sentence? i admit, i was trying. but i'm not sure i'm completley clear on its criteria. i think it should be much longer and illustrative.... anway, i said this thought would be prompt: in summary, i'm now tossing around this idea: we all have a conscious, which speaks to us in a sort of guiding manner (more attainable in 'reality'). and a subconscious, which fuels the essence of our actions (more available in a 'dream'-like state). that, mixed with the above passages, has got me thinking that there might be a way to bridge these contrary scopes of perspective. talking to yourself. Prompt:
when you talk to yourself, because i believe that everyone does in some form, is it outloud or in your mind? what do you say to yourself? is it criticism or positive reinforcement? is there a balance? is it always about something constructive? do you ever talk to yourself about nothing?
what do you get out of talking with yourself.
Wednesday, October 15, 2008
Writing Prompt
Associate a color, texture, scent, sound, or number to your favorite word. Be creative! If your word is "dog" try not to associate it with a furry feel, a barking sound, or the number 3.
A prompt for Thursday..
So my prompt for Thursday is: If you were to write your autobiography to be published for all the world to see, would you be more inclined to write about the difficult times in your life or the happy times? Why?
Periodic Sentence
There, in front of us, where a broken row of houses stood between us and the harbor, and where the eye encountered all sorts of stratagems, such as pale-blue and pink underwear cakewalking on a clothesline, or a lady's bicycle and a striped cat oddly sharing a rudimentary balcony of cast iron, it was most satisfying to make out among the jumbled angles of roofs and walls, a splendid ship's funnel, showing from behind the clothesline as something in a scrambled picture - Find What the Sailor Has Hidden - that the finder cannot unsee once it has been seen.
Even though this is all one complete sentence, what struck me was the last bit about "something in a scrambled picture... that the finder cannot unsee once it has been seen." I remember seeing a lot of "I Spy" pictures when I was younger, or those images where you stare at it enough and see an image that appears to be popping out. You would struggle to see it, and then all of a sudden it came to you, and you were so proud of yourself. The next time you looked at that picture, you'd see the image or find the object right away. It felt like you couldn't even trick yourself to work at it like you once did. I don't know about other people, but I always felt sort of lost when I knew exactly where Waldo was in all of my books. What an interesting last image for Nabokov.
Back to Nabokov's Spiral
We had a discussion in class about the spiral, and though my book is a bit different in pages, I want to bring up the first two sentences of Chapter 14 in "Speak, Memory"
The spiral is a spiritualized circle. In the spiral form, the circle, uncoiled, unwound, has ceased to be vicious; it has been set free.
I would like to point out that "spiritualized" is not even an official word, probably along the same lines as the term "chronophobe." With that aside, I would like to point out that in a spiritual or religious sense, circles are used as symbols of eternity. Here, Nabokov sees circles as vicious and only until it's uncoiled is it free. I always saw circles as peaceful things myself, so I tried to think of it the way Nabokov seems too. A circle is made of a line that is perfectly curved that finishes where it starts so it is continuous and you can not find the beginning or end. Then I thought, that even though a circle is eternal, it is also so finite. You can't travel beyond that line of that circle, and it just keeps looping you through the same path, just over and over and over again. A spiral, though still looping, moves you progressively forward, or back for those that see the glass half empty. Either way, there is something more than that same area, and you just keep going and going like the Energizer Bunny.
I guess circles are vicious... I know there are some events I'd rather not repeat exactly the same.
Humor in Nabokov...YES, PLEASE.
The one I find most humorous is Nabokov's anecdote in chapter 5 about his "wicked plan." (page 103)
"I explained to my brother a wicked plan and persuaded him to accept it...my brother declared he was cold and tired, but I urged him on and finally made him ride the dog (the only member of the party to be still enjoying himself)."
This is one of the few passages where I felt like Nabokov was a relatable person, and I appreciated this. It was surprisingly humorous and almost like a "break" from the rest of the narrative, which spends a large amount of time focusing on his thoughts and specific images rather than seemingly "normal" child behavior, like this passage shows. It's something you could expect of any little boy, and because up until this point I found him, yes, I'll say it....pretentious, it was like a breath of fresh air. A point for Nabokov!
Writing Prompt for Thursday, Oct. 16
Tuesday, October 14, 2008
A Prompt for Thursday
Nabokov's Nostalgia
A Late Post on Photo Captions in "Speak, Memory"
- "The round thing on the tree trunk is an archery target..."
- "...photophobic Trainy..."
- "My paternal grandmother is holding, in a decorative but precarious cluster, my two little sisters whom she never held in real life..."
- "I am perched on the bench arm, hating my collar and Stresa."
Nabokov's allusion to the target on the trunk is so "him." It's just part of his style, and I find it slightly ingenius. Nabokov clearly has a vivid "Memory" that seems to see everything. Each memory that Nabokov writes about is so visually stimulating. I feel like it's just in his nature to notice everything about his surroundings, even is photographic self.
Photophobic Trainy just amuses me, because he looks so photophobic in the picture. It was the perfect way to describe the poor dog's emotional status in the picture. He looks absolutely petrified to be there. My dog is also particularly photophobic, so I have seen Trainy's posture before in my own life (expect in a MUCH larger canine).
Nabokov's grandmother never holds his sisters in real life. This indicates that pictures can be incredibly deceiving. Writing can be honest, and Nabokov is being honest about his grandmother who was apparently not a nurturing grandmother in the least. His words are the truth, even though the photograph could say something completely different about the personality of his grandmother.
Nabokov's final thought in the caption is sort of funny, because his photographed self does look extremely annoyed to be in the picture. He looks like he is about to spring off the bench's arm the first chance he gets. I just think Nabokov has done something that humans tend to do, and that is consider their physical and mental states of being when photographs were taken. I have numerous photographs in my house that bring back sensory memories. He remembers the discomfort he felt when wearing the collar and Stresa. I remember a photograph of me at my 8th grade birthday party blowing out the candles on the cake, and that photograph always makes me remember the spell of the burning candles mixed with the delicious smells of the frosting and dough of the cake.
